This cabinet card photograph, taken by Hermann photographer Charles German ca. 1900, may be either Permilia Johanna Strothmann or her younger sister Louise Margaretha Strothmann.
Permilia and Louisa were two of the five children of Franklin County, Mo. farmers Frederick Strothmann and Maria Drewell Strothmann (click on link to compare).
Charles German was born in July 1864 to German immigrant carpenter Henry German and his Missouri-born wife Eliza Summers German. Charles was set to learn the cooper’s trade, but sometime between 1880 and 1900, Charles learned photography.
For a time, Hermann photographer Robert C. Mumbrauer and Charles German were partners, but thanks to contributions by Susan Strothmann Brooks, it’s become clear that German operated Mumbrauer’s studio at 4th and Schiller streets under his own name for an unknown period.
Since Mumbrauer had another career as a sheriff and railroad detective, it seems plausible that he either rented or sold the studio to German for a time. The Western Historical Manuscript Collection has one cabinet card marked “Mumbrauer & German, Berger, Mo.” that is dated 1895.
By 1910, German had put aside professional photography and became a Hermann saloon keeper. In later years he worked as a janitor. He died in 1947 at the age of 82 and is buried in Hermann City Cemetery.
Unfortunately, three of this image’s four edges have been cut off during scanning, but at right one can see that the card mount has a scalloped or serrated edge. This edge, along with the less obtrusive green printing of the photographer’s mark, places the mount ca. 1890-1899.
The more subtle background, too, sans the old false painted backgrounds and papier mache tree stumps, marks a turn-of-the-century shift to a simpler, less gimmicky portrait style.
According to costume historian Joan Severa, the young woman’s dress, possibly black silk, featuring a wide, ruffled bertha collar, dates to the mid- to late-1890s (Severa, Dressed for the Photographer).
Carefully lit to highlight the still-babyish lips, large dark eyes and turned up nose, German’s sensitive portrait captures a girl poised on the edge of young womanhood.